The tracks come up out of the earth at Peralta, rise above the houses on brutal concrete pylons. Metal wheel scrapes metal rail as the train heads north. For a few blocks the tracks run above a linear park, an old right-of-way. The old Key Route took this path before the oil and auto companies bought up rail lines across the country, plowed them under.
At Solano the old right-of-way narrows. Houses press their backs up against the verge. From there north you can look down from your seat into the backyards of a thousand neighbors.
If I lived in one of these houses I would imagine my privacy uninvaded. The trains pass quickly, the passengers near-anonymous blurs in the windows preoccupied with newspapers. A whoosh of engine and a scrape of wheel on rail, and we are gone and the residents enjoy their yards in peace. I have been riding this line, though, for a quarter century, and a quarter century of daily four-second glimpses adds up. My time riding this train has been a reel of film, each pass by each yard a still frame.
I have watched the neighbors’ lives through the train’s lens. The new plastic toy tricycle left in different corners of the yard fades in the sun, is supplanted by a series of bicycles of increasing size. Trees are planted, grow, bear flowers and fruit, are pruned, succumb to blight. Roofs deteriorate in each winter’s storms. The signs go up, the house is sold, the paint goes on and fades and the grass grows unkempt and brown and possessions are removed in separate trucks and the signs go up. A second story is framed and roofed and finished and then I forget there was a time it wasn’t there.
An odd intimacy, this, a knowledge of people whose shadow on the earth I have not once seen. An odd affection, this, for the yellow-leaved lemon tree people, the pile of old lumber people, the purple stucco and peace sign people, the turquoise ‘67 Malibu under a tarp people. Their lives flit past as flickers on a screen, and though they are immediately and warmly familiar the train rounds a curve and slows for my station, and they pass out of my mind until the next commute.
Posted by: Chris Clarke
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