March 24, 2006

For Karen, in comments to the Clamshell thing

The geologic approach is certainly primary and fundamental, underlying the attitude and outlook that best support all others, including the insights of poetry and the wisdom of religion. Just as the earth itself forms the indispensable ground for the only kind of life we know, providing the sole sustenance of our minds and bodies, so does empirical truth constitute the foundation of higher truths. (If there is such a thing as higher truth.)

It seems to me that Keats was wrong when he asked, rhetorically, “Do not all charms fly ... at the mere touch of cold philosophy?” The word “philosophy” standing, in his day, for what we now call “physical science.” But Keats was wrong, I say, because there is more charm in one “mere” fact, confirmed by test and observation, linked to other facts through coherent theory into a rational system, than in a whole brainful of fancy and fantasy. I see more poetry in a chunk of quartzite than in a make-believe wood nymph, more beauty in the revelations of a verifiable intellectual construction than in whole misty empires of obsolete mythology.

The moral I labor toward is that a landscape as splendid as that of the Colorado Plateau can best be understood and given human significance by poets who have their feet planted in concrete - concrete data - and by scientists whose heads and hearts have not lost the capacity for wonder. Any good poet, in our age at least, must begin with the scientific view of the world; and any scientist worth listening to must be something of a poet, must possess the ability to communicate to the rest of us his sense of love and wonder at what his work discovers.

Edward Abbey

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Wow: Great quote. Very meaningful to me re: the Rabbi Lerner(s) of the world, who seem to think that all tangible facts are of no more important than “spiritual” apercus. Thanks!

Any good poet, in our age at least, must begin with the scientific view of the world;

A very good reason to read Maya Khalsa, one of my very favorite poets (who, last i heard from her, worked in the Presidio).  Maya is biologist specializing in riparian habitats and writes up her research studies for USFWS in the most beautiful and poetic of ways. 

Maya Khosla is the recipient of the 2003 Dorothy Brunsman Award for her manuscript Keel Bone. She is also the author of a creative nonfiction book about salmon, titled Web of Water. Her work is influenced both by her background in biology and her childhood spent in various countries--England, Algeria, Burma, Bhutan, India, and Bangladesh.

Chris, you posted those words of Abbey’s once before. Since then, they’ve been a kind of guiding philosophy for me. Thank you.

And Spyder, thank you for posting that recommendation. I’ll be looking her up.

Thank you, Chris.  I’ve seen the Abbey quote before, but I’d forgotten it.  Maybe it needs to go up as screen wallpaper.

Reminds me of a statement from John McPhee to the effect that if he could get people to retain one fact from the book (Assembling California?) it is that the summit of Mount Everest is made of marine limestone.  The implications of that are just awesome.

(I probably have the statement a bit wrong; I’m currently in Thailand, a long way from my copy of the book.)

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